Watch, Read, Listen

In his book, Ordering the Myriad Things, Nicholas K. Menzies, research fellow in The Huntington’s Center for East Asian Garden Studies, examines how traditional knowledge of plants in China gave way to scientific botany between the mid-19th and mid-20th centuries. This talk focuses especially on images of plants, contrasting their representation in late-imperial Chinese painting and materia medica to the conventions of scientific botanical drawing. It highlights the work and careers of three 20th-century Chinese artists who paved the way for today’s professional botanical illustrators.

In this lecture, Wendy Wall, Professor of the Humanities at Northwestern University, describes how 17th-century woman Hester Pulter, while sick and confined to her bedroom after giving birth to her 15th child, sought solace in an unusual way: she wrote poems about taking off into space to explore planets in the heliocentric universe. While intellectuals of the day feared that new conceptions of astronomy undermined cherished religious beliefs, Pulter was exhilarated in incorporating cutting-edge ideas about space into a new type of devotional poem. How can this relatively newly discovered female poet enlarge our understanding of ways that writers used poetry to interconnect religion, science, and the imagination? How might Pulter’s poetry reveal previously unacknowledged ways that early modern women engaged in intellectual production and the mapping of the heavens, even from their remote estates or bedrooms?